Orphan works are those whose copyright parents, i.e. owners, can’t be located, and therefore receive something of a copyright “pass” in potential penalties. It turns out that the fears were overblown in several respects, as described in an Art Copyright Coalition sponsored white paper by Joshua Kaufman.
Two years ago a group of us Art Copyright Coalition members began attending Chinese trade shows for the purpose of confronting copyright infringements. I admit I had doubts about whether the strategy would work, or just be a futile exercise trying to stop a tsunami. Remarkably, the strategy is working very well. Even though we […]
You may have heard that Alibaba is going public. In a big way, perhaps the biggest IPO ever. It boggles my mind that the world’s biggest facilitator of counterfeit goods is meeting with such investor acclaim. One of my jobs is working on copyright protection, both for Wild Apple and for the Art Copyright Coalition. […]
Under the premises that a) policing copyrights may be more effective from inside the Chinese system, and b) building sales in the fastest growing consumer market would be a good thing, Wild Apple for the first time exhibited at China Art & Frame Expo (CAFExpo) in Shanghai. I’ll admit, it was a bit overwhelming with […]